For his second solo exhibition at TEMPLON, Abdelkader Benchamma is unveiling a series of drawings, paintings and wall installations produced during his residency at Palazzo Butera in Palermo in conjunction with the Institut Français.
During his residency, the artist adopted a new approach to a subject he has been interested in for several years: the Cosmati, the singular use of marble which, fragmented in marquetry or when positioned symmetrically in Italian churches, play with our contemporary codes of representation in an uncanny manner. The forms created by these mineral veins appear to be neither figurative nor abstract, but evolve instead in a mysterious place between the two.
Learn moreFor more information click on each work
For more information click on each work